Click Here

" />

CHILDREN OF THE WAR Marina Tëmkina and Michel Gerard

Harriman Institute and Russian-American Cultural Center present

CHILDREN OF THE WAR

Marina Tëmkina and Michel Gerard

Harriman Institute of Columbia University: October 28 – December 12, 2024,

An exhibit opening reception will take place on October 29, 2024 at 6:30 pm.You must register by 5pm on October 28, 2024 to attend this event: Click Here

Event Venue:

Harriman Institute of Columbia University You must register by 5pm on October 28, 2024 to attend this event. : https://harriman.columbia.edu/event/exhibit-opening-reception-children-of-the-war/
420 W 118th St, New York, NY 10027

Event Date:

October 28, 2024 to December 12, 2024, An exhibit opening reception will take place on October 29, 2024 at 6:30 pm

Harriman Institute and Russian-American Cultural Center present

CHILDREN OF THE WAR

Marina Tëmkina and Michel Gerard

Harriman Institute of Columbia University

October 28 – December 12, 2024

Children of the War is organized around the publication of a new artist book by Marina Tëmkina and Michel Gérard titled Boys Fight. The text for this publication originated in 2014 in reaction to Russia’s initial invasion into Ukraine and was completed amid anxiety about the presidential election in the United States. The texts are written in the language of absurdity grounded in a feminist critique of the persistent presence of wars. Alongside Tëmkina’s texts, Gérard’s drawings taken from the French dictionary Petit Larousse published in Paris in 1942 during the Nazi Occupation. The artist was a small child then and it was encouraging for him to look at the images of athletes playing traditional male sports. In imagery of fighting cavemen, fragmented dinosaurs, sportsmen, and combative games, Gérard contends with the dissonance between play and violence, strength and growth, and word and image. These original drawings are presented at The Harriman Institute for the first time.

This exhibition focuses on the traumatic consequences caused by wars for children’s psyches. What images and feelings does our conscience carry throughout life? Why do we, who are the children of the war and post-war period baby boomers, return to this experience of the family and collective traumas again and again? The exhibition includes Tëmkina’s cycle of twelve texts “Children Who Starve” about the psychological self-negation as a result of food deprivation that children of the war go through.

Bios

Marina Tëmkina is a poet-artist whose interdisciplinary and cross-genre practice embodies her multinational immigrant experiences. Her books include the poetry collection What Do You Want? (Ugly Duckling Presse), three artist books such as Who Is I? (Content), two books produced in collaboration with the artist Michel Gérard, and five books of poetry in Russian (the last two of which are published by NLO). Tëmkina has been awarded grants from the National Endowment for the Arts and the Memorial Foundation for Jewish Culture, among others. Tëmkina was a recipient of the Charles Revson Fellowship on the Future of New York in 1999–2000 and a visiting scholar at the Harriman Institute from 2000–2001. At Barnard College, she performed a poetry reading titled, “Russian-Jewish-Immigrant-Woman-Poet in Perpetual Identity Crisis.” Lately, she participated in the poetry reading at the opening of the Harriman Institute’s photography exhibition Faces of the Leningrad Underground. In her professional career she specialized in refugee resettlement, cultural difference, gender, identity and trauma. She works as a psychoanalytically trained psychotherapist.

Michel Gérard is a French sculptor living in New York. During the last twenty years, he has worked with memories of his childhood in occupied Paris during the Second World War. From 1997–2003, Gérard completed a series of major international exhibitions on the theme of his childhood memories during the Occupation which resulted in three publications. Gérard’s artworks reenacted a destabilizing image of war and its effects on childhood psychology with imagery of food and coal shortages, documentary video of aerial bombardments, and a sculptural installation of a battalion of chairs on crutches marching across the floor. He has had more than fifty solo exhibitions in galleries and museums in Europe, the United States, Japan, Korea, and Israel.

Captions to images:

Michel Gérard, From the series of drawings Multiple Self-Portrait as a Caveman, 2004.

Marina Tëmkina, From the series of photographs The Kitchens Where I Cooked, Tarusa, Russia, 1998.

Russian-American Cultural Center programing is made possible by part with public funds of the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Cojeco, Orentreich Family Foundation and Tianaderrah Foundation.